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Post by Deleted on May 15, 2016 10:35:44 GMT 7
Quotes, books, passages and anything that inspires.
“There is the solitude of suffering, when you go through darkness that is lonely, intense, and terrible. Words become powerless to express your pain; what others hear from your words is so distant and different from what you are actually suffering.”
― John O'Donohue, Anam Cara: A Book of Celtic Wisdom
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Post by Deleted on May 15, 2016 10:38:34 GMT 7
"She cannot receive any power from me greater than she now has, which consists in her own purity and innocence of heart. If she cannot herself obtain access to the Snow Queen, and remove the glass fragments from little Kay, we can do nothing to help her. Two miles from here the Snow Queen's garden begins; you can carry the little girl so far, and set her down by the large bush which stands in the snow, covered with red berries. Do not stay gossiping, but come back here as quickly as you can."
from The Snow Queen by Hans Christian Andersen
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Post by Deleted on May 15, 2016 10:39:57 GMT 7
“Mexican Loneliness"
And I am an unhappy stranger grooking in the streets of Mexico- My friends have died on me, my lovers disappeared, my whores banned, my bed rocked and heaved by earthquake - and no holy weed to get high by candlelight and dream - only fumes of buses, dust storms, and maids peeking at me thru a hole in the door secretly drilled to watch masturbators <duck> pillows - I am the Gargoyle of Our Lady dreaming in space gray mist dreams -- My face is pointed towards Napoleon ------ I have no form ------ My address book is full of RIP's I have no value in the void, at home without honor, - My only friend is an old fag without a typewriter Who, if he's my friend, I'll be buggered. I have some mayonnaise left, a whole unwanted bottle of oil, peasants washing my sky light, a nut clearing his throat in the bathroom next to mine a hundred times a day sharing my common ceiling - If I get drunk I get thirsty - if I walk my foot breaks down - if I smile my mask's a farce - if I cry I'm just a child - - if I remember I'm a liar - if I write the writing's done - - if I die the dying's over - - if I live the dying's just begun - - if I wait the waiting's longer - if I go the going's gone if I sleep the bliss is heavy the bliss is heavy on my lids - if I go to cheap movies the bedbugs get me - Expensive movies I can't afford - if I do nothing nothing does”
― Jack Kerouac
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Post by Deleted on May 15, 2016 10:42:21 GMT 7
“Some lose all mind and become soul,insane. some lose all soul and become mind, intellectual. some lose both and become accepted” ― Charles Bukowski
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Post by Deleted on May 15, 2016 10:43:12 GMT 7
“I will remember the kisses our lips raw with love and how you gave me everything you had and how I offered you what was left of me, and I will remember your small room the feel of you the light in the window your records your books our morning coffee our noons our nights our bodies spilled together sleeping the tiny flowing currents immediate and forever your leg my leg your arm my arm your smile and the warmth of you who made me laugh again.” ― Charles Bukowski
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Post by Deleted on May 15, 2016 10:57:42 GMT 7
from buhi
Wuthering Heights, Emily Bronte.
‘She abandoned them under a delusion,’ he answered; ‘picturing in me a hero of romance, and expecting unlimited indulgences from my chivalrous devotion.
I can hardly regard her in the light of a rational creature, so obstinately has she persisted in forming a fabulous notion of my character and acting on the false impressions she cherished. But, at last, I think she begins to know me: I don’t perceive the silly smiles and grimaces that provoked me at first; and the senseless incapability of discerning that I was in earnest when I gave her my opinion of her infatuation and herself.
It was a marvellous effort of perspicacity to discover that I did not love her. I believed, at one time, no lessons could teach her that! And yet it is poorly learnt; for this morning she announced, as a piece of appalling intelligence, that I had actually succeeded in making her hate me! A positive labour of Hercules, I assure you! If it be achieved, I have cause to return thanks.
Can I trust your assertion, Isabella? Are you sure you hate me? If I let you alone for half a day, won’t you come sighing and wheedling to me again? I daresay she would rather I had seemed all tenderness before you: it wounds her vanity to have the truth exposed.
But I don’t care who knows that the passion was wholly on one side: and I never told her a lie about it. She cannot accuse me of showing one bit of deceitful softness. The first thing she saw me do, on coming out of the Grange, was to hang up her little dog; and when she pleaded for it, the first words I uttered were a wish that I had the hanging of every being belonging to her, except one: possibly she took that exception for herself.
But no brutality disgusted her: I suppose she has an innate admiration of it, if only her precious person were secure from injury! Now, was it not the depth of absurdity--of genuine idiotcy, for that pitiful, slavish, mean-minded brach to dream that I could love her?
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Post by Deleted on May 15, 2016 11:01:53 GMT 7
“I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more”
― Franz Kafka, The Castle
The Castle
Arriving in a village to take up the position of land surveyor for the mysterious lord of a castle, the character known as K. finds himself in a bitter and baffling struggle to contact his new employer and go about his duties. As the villagers and the Castle officials block his efforts at every turn, K.’s consuming quest–quite possibly a self-imposed one–to penetrate the inaccessible heart of the Castle and take its measure is repeatedly frustrated. Kafka once suggested that the would-be surveyor in The Castle is driven by a wish “to get clear about ultimate things,” an unrealizable desire that provided the driving force behind all of Kafka’s dazzlingly uncanny fictions.
Translated by Willa and Edwin Muir
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siampolee
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Post by siampolee on May 15, 2016 13:27:05 GMT 7
''If you compare yourself with only yourself and measure yourself by just yourself then you are not any better than yourself alone put together in one basket.''
Messoh Vincent
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AyG
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Post by AyG on May 15, 2016 14:20:20 GMT 7
בְּרֵאשִׁית בָּרָא אֱלֹהִים אֵת הַשָּׁמַיִם וְאֵת הָאָרֶץ וְהָאָרֶץ הָיְתָה תֹהוּ וָבֹהוּ וְחֹשֶׁךְ עַל־פְּנֵי תְהוֹם וְרוּחַ אֱלֹהִים מְרַחֶפֶת עַל־פְּנֵי הַמָּיִם וַיֹּאמֶר אֱלֹהִים יְהִי אוֹר וַיְהִי־אוֹר In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light. andεν αρχη ην ο λογος και ο λογος ην προς τον θεον και θεος ην ο λογος ουτος ην εν αρχη προς τον θεον παντα δι αυτου εγενετο και χωρις αυτου εγενετο ουδε εν ο γεγονεν εν αυτω ζωη ην και η ζωη ην το φως των ανθρωπων και το φως εν τη σκοτια φαινει και η σκοτια αυτο ου κατελαβεν In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by him; and without him was not any thing made that was made. In him was life; and the life was the light of men. And the light shineth in darkness; and the darkness comprehended it not. Whilst not of a religious disposition I find the language very powerful. It also illustrates the importance of the opening sentence in any work of fiction. I've long considered the first sentence of Anthony Burgess' Earthly Powers to be the best opening sentence ever: "It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me."
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rubl
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Post by rubl on May 15, 2016 14:59:26 GMT 7
"So, what's for supper, love?"
- uncle rubl
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buhi
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Post by buhi on May 15, 2016 18:10:15 GMT 7
“I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more” ― Franz Kafka, The Castle The Castle Arriving in a village to take up the position of land surveyor for the mysterious lord of a castle, the character known as K. finds himself in a bitter and baffling struggle to contact his new employer and go about his duties. As the villagers and the Castle officials block his efforts at every turn, K.’s consuming quest–quite possibly a self-imposed one–to penetrate the inaccessible heart of the Castle and take its measure is repeatedly frustrated. Kafka once suggested that the would-be surveyor in The Castle is driven by a wish “to get clear about ultimate things,” an unrealizable desire that provided the driving force behind all of Kafka’s dazzlingly uncanny fictions. Translated by Willa and Edwin Muir
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buhi
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Post by buhi on May 15, 2016 18:14:42 GMT 7
^^^ Kafka's world is very similar to my view of living in Thailand; a non being, controlled by the whims of bureaucrats, who in themselves are envious of my skin and heritage.
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bowie
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Post by bowie on May 15, 2016 18:23:57 GMT 7
Chapter 1 Chapter I — The One Thing Needful “NOW, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!”
The scene was a plain, bare, monotonous vault of a schoolroom, and the speaker’s square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster’s sleeve. The emphasis was helped by the speaker’s square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellarage in two dark caves, overshadowed by the wall. The emphasis was helped by the speaker’s mouth, which was wide, thin, and hard set. The emphasis was helped by the speaker’s voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker’s hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside. The speaker’s obstinate carriage, square coat, square legs, square shoulders, — nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was, — all helped the emphasis.
“In this life, we want nothing but Facts, sir; nothing but Facts!”
The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim.
Literature Network » Charles Dickens » Hard Times » Chapter 1
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Post by Deleted on May 15, 2016 18:28:51 GMT 7
^^^ Kafka's world is very similar to my view of living in Thailand; a non being, controlled by the whims of bureaucrats, who in themselves are envious of my skin and heritage. Don't blame others for your choices. You have a choice. Freewill. Always.
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Post by Deleted on May 15, 2016 18:39:37 GMT 7
בְּרֵאשִׁית בָּרָא אֱלֹהִים אֵת הַשָּׁמַיִם וְאֵת הָאָרֶץ וְהָאָרֶץ הָיְתָה תֹהוּ וָבֹהוּ וְחֹשֶׁךְ עַל־פְּנֵי תְהוֹם וְרוּחַ אֱלֹהִים מְרַחֶפֶת עַל־פְּנֵי הַמָּיִם וַיֹּאמֶר אֱלֹהִים יְהִי אוֹר וַיְהִי־אוֹר In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light. andεν αρχη ην ο λογος και ο λογος ην προς τον θεον και θεος ην ο λογος ουτος ην εν αρχη προς τον θεον παντα δι αυτου εγενετο και χωρις αυτου εγενετο ουδε εν ο γεγονεν εν αυτω ζωη ην και η ζωη ην το φως των ανθρωπων και το φως εν τη σκοτια φαινει και η σκοτια αυτο ου κατελαβεν In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by him; and without him was not any thing made that was made. In him was life; and the life was the light of men. And the light shineth in darkness; and the darkness comprehended it not. Whilst not of a religious disposition I find the language very powerful. It also illustrates the importance of the opening sentence in any work of fiction. I've long considered the first sentence of Anthony Burgess' Earthly Powers to be the best opening sentence ever:
"It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me."Work of fiction, very well put in reference to the first quote. Best opening line agreed also. Rebecca is another. Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again and little by little had encroached upon the drive with long tenacious fingers, on and on the poor thread that had once been our drive. And finally, there was Manderley, Manderley, secretive and silent. Time could not mar the perfect symmetry of those walls. Moonlight can play odd tricks upon the fancy, and suddenly it seemed to me that light came from the windows. And then a cloud came upon the moon and hovered an instant like a dark hand before a face. The illusion went with it. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again.
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